The Love Witch

O is For Orgasm and The Love Witch explore the depths of female's desire and sexuality. The first one by the mean of Giallo to which Hélène Cattet and Bruno Forzani, film after film, restore the credibility (Amer, L’étrange couleur des larmes de ton corps). The second one in a malicious feminist fable, pop and tangy, in which a modern times witch is desperate to make it to the altar.